Visually literate student should understands many of the ethical, legal, social, and economic issues surrounding the creation and use of images and visual media, and accesses and uses visual materials ethically.
Full Text of the Copyright Law of the United States is available for free at www.copyright.gov
Copyright gives creators protections for writings as well as images they make and generally means that you can not reuse or change other people's work without their permission.
Copyright law can be complicated and we have a Librarian, Kate Dickson, who specialize in it. She can help answer difficult questions.
§107 · Limitations on exclusive rights: Fair use is covered in Chapter 1: Subject Matter and the Scope of Copyright
There are many stipulations that may qualify something under copyright to be used under the limitation of fair use. Please review the link above for more information on determining fair use.
Fair use of a copyrighted work is the reproduction of a work for purposes such as criticism, comment, news reporting, teaching, scholarship, or research.
Fair Use in the Classroom:
Special cases:
Creative Commons (CC) License give creators a way to tell people if an how their materials can be used, modified, and shared. CC license layout if you can reuse an image, if you need to credit the creator, if you can modify the image. Look for a CC that may be followed by other letters or symbols and consult the list of Create Commons License Options for the mean of each license types.
Open access literature is digital, online, free of charge, and free of most copyright and licensing restrictions.
If you don't follow copyright and licensing laws or properly cite images, there can be consequences. Best case scenario, the owner of the work may contact you to ask that you stop using an image, but there could be legal issues as well that could result in fines.
Here is an example of a performing artist asking people to not use her intellectual property without permission, HOWEVER, she used a copyrighted image in her request without getting permission. You can see the Shutterstock watermark embedded in the image.
Guidelines
Examples
1. Image from a database:
Hoshiko, Eugene. "China Rain." Photograph. 1999. AP Images, ID99062401980.
2. Image from a website:
Wilma, David. "El Centro de la Raza, Beacon Hill, Seattle." Photograph. 2001. HistoryLink.org, http://www.historylink.org/index.cfm?DisplayPage=output.cfm&file_id=9186 (accessed September 25, 2010).
3. Image from a printed source:
Alevei Savrasov, The Rooks Have Arrived, 1871, in Dmitri V. Sarabianov, Russian Art: From Neoclassicism to the Avant-Garde 1800-1917: Painting – Sculpture - Architecture (New York: Harry N. Abrams, Inc. Publishers, 1990), 169, plate 31.
Guidelines
Examples
1. Image from a database:
Rousseau, H. (1896). The ship in the storm [Painting]. Musee de l'Orangerie, Paris. Retrieved from Oxford Art Online database.
2. Image from a website:
Rousseau, H. (1896). The ship in the storm [Painting]. Musee de l'Orangerie, Paris. Retrieved from http://www.uwm.edu/~wash/rousseau.jpg.
3. Image from a printed source:
Muybridge, E. [Photograph of a horse running]. (1887). National Gallery, London. River of shadows: Eadweard Muybridge and the technological wild West. By Rebecca Solnit. New York, NY: Viking. 52.
Note: If an image does not have a title, create a brief title and place it in [] without italics.
Guidelines
Examples
1. Image from a database:
Francisco de Goya. 1800. King Charles IV of Spain and his Family. Place: Museo del Prado. https://library.artstor.org/asset/LESSING_ART_1039490333.
2. Image from a website:
Goya, Francisco. The Family of Charles IV. 1800. Museo Nacional del Prado, Madrid. Museo Nacional del Prado, www.museodelprado.es/en/the-collection/art-work/the-family-of-carlos-iv/f47898fc-aa1c-48f6-a779-71759e417e74. Accessed 22 May 2006.
3. Image from a printed source:
Sarabianov, Dmitri V. Russian Art: From Neoclassicism to the Avant-Garde 1800-1917: Painting – Sculpture – Architecture. New York: Harry N. Abrams, Inc. Publishers, 1990.